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And I’m pretty sure people complained that they found certain leaps in the show’s logic to be irritating and unrealistic, but again, not a problem that usually bothered me.

And even if it had, the awesomeness that is Enver Gjokaj would have outweighed it ALL.

I don’t even know what to call the love polygon that ensues during this story’s development–there are so many weird off-shoots and connections that it resembles some bizarre molecular construct. But in spite of that, there were aspects of this story that were really beautiful.

But mostly Gjokaj and Lachman are just insanely talented and chameleonic actors, and Dushku is slightly less so.) Either way, the slight cracks in her performance don’t start to show until future episodes, and she was very solid here. Consider donating and commissioning more, via my Go Fund Me campaign — — and thanks for reading!

As I suspected, the characters played by Gjokaj and Lachman don’t get all that much to do in the pilot, and the major character played by Miracle Laurie (who is fantastically talented and gorgeous and also happens to be bigger than a size zero) wasn’t in the pilot at all. And you can keep up with me on Twitter @Floating Spirals and never miss a post 🙂 You can also subscribe and get email updates by using that widget thing on the sidebar!

I was confused for exactly as long as the show wanted me to be confused before it revealed its premise: the Dollhouse is an establishment that wipes people’s personalities and reprograms these “dolls” to whatever specifications their insanely wealthy clients request — a lover, a companion, a weapons expert, a master negotiator, etc.

(This is where the logic complaints came in — “If you have the oodles of money necessary in this fictional universe to buy a reprogrammed human doll, why would you do that instead of paying for a real weapons expert, master negotiator, etc? But we’ll ignore that because PLOT.) For me, what sticks with me and what sold me on this show was one particular exchange: I don’t remember the wording, but when Echo (the main character doll played by Eliza Dushku) is programmed to be the aforementioned master negotiator, one of the characters asks Topher, the amoral genius programmer of the Dollhouse, “Why does she need glasses?

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